la_marquise (
la_marquise) wrote2013-09-06 04:18 pm
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Why the Three Musketeers have Girl Cooties (according to the Paul Cook school of thinking)
Ten Reasons Why the Three Musketeers have girl cooties
1. They are obsessed with their love relationships
2. They care about how they dress
3. They hug and kiss one another all the time
4. They have sleepovers
5. They like horses
6. They gossip
7. They go everywhere together (possibly even the bathroom, though Dumas does not specify. I bet Porthos hogs the mirror, though).
8. They love to go to parties
9. They swear to be BFFs
10. They are awesome, swordfighting heroes.
This sequence inspired by the thoughts expressed in This article
NB The musketeers are my all-time literary heroes and favourites.
Skirt of the day: blue wedgwood
1. They are obsessed with their love relationships
2. They care about how they dress
3. They hug and kiss one another all the time
4. They have sleepovers
5. They like horses
6. They gossip
7. They go everywhere together (possibly even the bathroom, though Dumas does not specify. I bet Porthos hogs the mirror, though).
8. They love to go to parties
9. They swear to be BFFs
10. They are awesome, swordfighting heroes.
This sequence inspired by the thoughts expressed in This article
NB The musketeers are my all-time literary heroes and favourites.
Skirt of the day: blue wedgwood
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Wow, who is this simple-minded bigot?
*reads profile*
Really? He's teaching university students English?
*despairs*
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But even back then I could tell he had an allergy to character-driven stories.
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In the immortal words of Bugs Bunny, Whatta maroon.
OK, I can't help myself
Because allowing women to use language well sets a dangerous precendent, especially when they talk about girly things OMG.
I think I have a spray can of Fool-B-Gone around here somewhere.
Re: OK, I can't help myself
Re: OK, I can't help myself
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That article made me realise why I read Cook's writing and couldn't deal. If he had been writing the article as a joke, I would understand, for it provoked a great deal of discussion, but he really doesn't see what he's doing or how he's doing it. It's odd to find an academic/writer with so little reflexivity. It's also odd to find the assumption that if something's well enough written after a certain style it can't be SF, also.
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The genre thing: I hope to see it die within my lifetime. But I'm not optimistic. As long as we have bookshops with finite (expensive) floorspace and limited numbers of shelves, there'll be pressure to provide clues for store staff to tell them where to shelve like-with-like. Granted, academics should know better than to pay attention to genre. But it's something all of us who've grown up with paper books are trained into from an early age.
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He draws no distinction between what he personally likes and what the field is capable of.
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