la_marquise (
la_marquise) wrote2011-09-07 10:24 am
Entry tags:
Hamlet and Homophobia
I'm not a fan of Orson Scott Card for all sorts of reasons, but his latest book may be a new depth of prejudice from him.
There's a review here.
There's a review here.

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Oh, my.
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Yep. Apologies. It was me. Firefox extension conflicts.
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Now... it just makes me sad. Has he been got at? Has he got dementia? Is he taking drugs?
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I balked over the Mormons in space series.
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Before, I thought - oh well, he's a Mormon, his social views reflect his religion. But it's one thing to believe in witches, another to queue up to join the Witch Finders.
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Teasing out unlikely interpretations from Shakespeare is a longstanding academic game but you're meant to actually base it on something in the play and acknowledge the things that don't fit your theory - presumably Card doesn't understand the reference to "country matters" in Hamlet's scene with Ophelia?
Card should read Erica Jong's "Serenissima" and weep.
Even the "Portia as tv game show hostess" Merchant of Venice production I saw had some basis in the play and makes the valid point that playing games about your relationship really isn't that clever.
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The idea of the book would be funny if it weren't so deeply offensive AND unjustified by the text. As Ms-Cataclysm says, playing with different interpretations of Shakespeare has a long and honourable history. I once saw a Hamlet in NYC set in a drug squat. BUT the interpretation must exist within the bounderies of the text. The play described in this review is an abomination and has nothing to do with Shakespeare.
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and then to use it so be homophobic is just atrocious!
:( im saddened in truth. that people would mess with other people's work to preach their own crap.
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And I thought 'the curtain' Hamlet was pretty dire as it tried to force the play in general and Hamlet himself in particular into being a meditation on Catholicism, when it is plain that part of what the play is about is the conflict between the Protestant and Catholic view of what happens t'other side of death.
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From the review it seems like OSC boiled Hamlet down to the essentials, decided that he didn't like the taste of them and so replaced everyone with pod people instead.
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"I don't have time for Laertes. He must know I didn't mean to kill his father," Hamlet said.
"It's not his father," said Horatio. "It's his sister."
"Ophelia? I didn't touch her."
Would embarrass a GCSE student...
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I prescribe . View immediately and repeat as required.
(I believe it was written in response to a workshop session on how any story can be told in 3 verses. It was certainly used to teach school kids.)
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But the class didn't like the book. The psychological mutilation of children wasn't something we could enjoy, and the twist was obvious before it happened. I read Speaker for the Dead a bit later, and it wasn't so blatant, but there was still clearly an unpleasantly twisted mind behind it. Than a story in F&SF about dead children buried under a house ... and that was enough. No more.
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At a local con years ago Card was the GOH. I was on a panel with him -- I've forgotten the exact topic, but it had something to do with using real history in fiction. Keep in mind that this was happening in the San Francisco Bay Area. At the end of the panel, Card remarked that he thought the Vietnam War was a noble cause. You can imagine the uproar. The poor moderator . . .
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Card I stopped reading some decades ago, having got the distinct impression that he Had Issues and was using his fiction as therapy therefor.
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I have seen Hamlet and Othello re-written as Mills-and-Boonesque romance, but got rid of my copy of the former many years ago. Very badly written.
My favourite use of Hamlet, though, is Hamlet, Revenge! by Michael Innes, one of my all time favourite detective stories.