la_marquise (
la_marquise) wrote2013-04-25 12:39 pm
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Why I started #Womentoread
So, yesterday I decided to indulge in another round of that intermittent habit, poking the internet with a stick, by starting a hashtag -- #womentoread -- over on Twitter. I asked people to recommend sff by women. The response was astonishing: I'd hoped that some of my friends would pick it up, but... One of the very first to do so was
seanan_mcguire (Thank you, Seanan!) and it just took off. All afternoon (my timezone) and well into the evening, people were naming their favourites, exchanging names and recommendations and ideas. It was huge fun and the enthusiasm and engagement and excitement was just wonderful. I am profoundly grateful to everyone who joined in and help this happen. Towards the end of the day (my time) writer Harry Connolly (
burger_eater) gave me the idea of capitalising on all this momentum by linking it to a series of blogposts about specific women writers and post links to these pieces on twitter using the hashtag. (You can read Harry's article here.) I've written about women writers whose work I love before, of course, but the problem has been that relatively few people saw them -- mainly my existing social circle and readers. And that is a key issue for many women writers: underexposure. But the hashtag, as I said, has some momentum, so this seems like an opportunity to try and raise the profile of writing by women and to address that underexposure to some degree.
But why now, exactly. I've done something like this before (last year with the fantasy by women thing). That's part of it. I am an activist to my bones: it's coded into me to try and *do* something when I see an injustice. And I know far too many really great women writers who are underrated, under-reviewed, under-recognised. I see male writers praised for doing things in books which women did before them, which women are doing as well as them -- but the women are ignored and sidelined. It is a fact that books by women are reviewed less frequently than books by men, and that prestigious review locales pay less attention to women than men.
This year's review survey came out two days ago. During the day, my twitter feed was full of men -- many of them high-profile and influential -- decrying the under-representation of women writers in reviews (and I am very glad to see them recognising this and commenting on it) but immediately going back to talking about, promoting and praising works by other men. Last week,
jemck found ourselves in a major branch of a major UK book-chain in Oxford and noticed a promo table for fantasy. We're both fantasy authors, we took a look. The theme was clearly 'If you like George R R Martin, try this". It was a table about 4 foot x 4 foot square, piled high with fantasy. Great.
Except... all but three of the writers represented were men. And of the remaining 3 -- the women -- two were not epic fantasy writers but established Big Name Bestsellers -- Stephenie Meyer and Suzanne Collins and the books by them on that table were both sf. That's fine. I love sf by women. But those two books -- The Host and The Hunger Games weren't there because they were 'like' A Game of Thrones; they were there because they're already bestsellers in a related field. The other women present was an epic fantasy author and a good one -- Robin Hobb. Who has a gender-neutral name.
I'm not saying the men on that table aren't good: there were some excellent books there, by excellent writers. There were also books by men I've never heard of, which are quite probably also excellent books. But the overall impression was 'This is A Man's World'. Jules and I started making a list of who was *not* on that table, of women who are epic fantasy writers and published in the UK.
Kate Elliott
Judith Tarr
Freda Warrington
Gail Z Martin
Trudy Canavan
Karen Miller/K E Mills
Glenda Larke
Cecilia Dart-Thornton
Gaie Sebold
Juliet E McKenna
Tanith Lee
Amanda Downum
That was in about a minute. Now, you can argue, very reasonably, that some of those women are out-of-print here (but you might like to think about how they came to fall out of print in this context, given that contracts depend on sales, sales depend on exposure -- and women do not get the exposure).
A table that censored women from a genre.
A twitter feed that decried a wrong -- and then went back to the male default
I saw red. At some point on the 22nd April, I asked, rather wistfully, if we could declare the next day -- yesterday -- promote women writers day. I got two responses, both from women, saying, yes, lets, and so...
I did.
You can see some of the responses and recommendations here. You can find more by going to twitter and hunting for the hashtag #womentoread.
You can share the idea. You can write a review of a book by a woman. You can blog about a woman writer you admire. You can post a list of links to the websites of women writers you love. It doesn't have to be ep;ic fantasy or even sff. It can be any genre. And then, please, go to twitter and tweet that link with the #womentoread hashtag. If you're not on twitter, post the link here in the comments and I will tweet it for you.
This isn't about me. I know how it can look, I'm a fantasy writer. But really, it isn't. This is about all those fantastic women writers whose books I've treasured for years, about Tanith Lee and Evangeline Walton, Judith Tarr and Kate Elliott, Anne Gay, Storm Constantine, Sherwood Smith, Rumer Godden, Juliet McKenna, Barabar Michaels, Elizabeth Goudge, Liz WIlliams, Dion Fortune, Sheila Gilluly, R A McAvoy, Barbara Hambly, Leah Bobet, Sarah Monette, Justina Robson, Amanda Downum, Claudia J Edwards, Sharan Newman, Freda Warrington, Stephanie Saulter, Lisanne Norman, Jaine Fenn... I could go on and one and on. Some of those writers are long-established, some are out of print and out of contract, some are new, some are dead. But they are all great.
And me? Later today I'll be blogging here and on my website about a woman whose books were a lightning bolt to my writing world, Nancy Springer.
PS: another interesting piece on the gender imbalance in reviews here
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But why now, exactly. I've done something like this before (last year with the fantasy by women thing). That's part of it. I am an activist to my bones: it's coded into me to try and *do* something when I see an injustice. And I know far too many really great women writers who are underrated, under-reviewed, under-recognised. I see male writers praised for doing things in books which women did before them, which women are doing as well as them -- but the women are ignored and sidelined. It is a fact that books by women are reviewed less frequently than books by men, and that prestigious review locales pay less attention to women than men.
This year's review survey came out two days ago. During the day, my twitter feed was full of men -- many of them high-profile and influential -- decrying the under-representation of women writers in reviews (and I am very glad to see them recognising this and commenting on it) but immediately going back to talking about, promoting and praising works by other men. Last week,
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Except... all but three of the writers represented were men. And of the remaining 3 -- the women -- two were not epic fantasy writers but established Big Name Bestsellers -- Stephenie Meyer and Suzanne Collins and the books by them on that table were both sf. That's fine. I love sf by women. But those two books -- The Host and The Hunger Games weren't there because they were 'like' A Game of Thrones; they were there because they're already bestsellers in a related field. The other women present was an epic fantasy author and a good one -- Robin Hobb. Who has a gender-neutral name.
I'm not saying the men on that table aren't good: there were some excellent books there, by excellent writers. There were also books by men I've never heard of, which are quite probably also excellent books. But the overall impression was 'This is A Man's World'. Jules and I started making a list of who was *not* on that table, of women who are epic fantasy writers and published in the UK.
Kate Elliott
Judith Tarr
Freda Warrington
Gail Z Martin
Trudy Canavan
Karen Miller/K E Mills
Glenda Larke
Cecilia Dart-Thornton
Gaie Sebold
Juliet E McKenna
Tanith Lee
Amanda Downum
That was in about a minute. Now, you can argue, very reasonably, that some of those women are out-of-print here (but you might like to think about how they came to fall out of print in this context, given that contracts depend on sales, sales depend on exposure -- and women do not get the exposure).
A table that censored women from a genre.
A twitter feed that decried a wrong -- and then went back to the male default
I saw red. At some point on the 22nd April, I asked, rather wistfully, if we could declare the next day -- yesterday -- promote women writers day. I got two responses, both from women, saying, yes, lets, and so...
I did.
You can see some of the responses and recommendations here. You can find more by going to twitter and hunting for the hashtag #womentoread.
You can share the idea. You can write a review of a book by a woman. You can blog about a woman writer you admire. You can post a list of links to the websites of women writers you love. It doesn't have to be ep;ic fantasy or even sff. It can be any genre. And then, please, go to twitter and tweet that link with the #womentoread hashtag. If you're not on twitter, post the link here in the comments and I will tweet it for you.
This isn't about me. I know how it can look, I'm a fantasy writer. But really, it isn't. This is about all those fantastic women writers whose books I've treasured for years, about Tanith Lee and Evangeline Walton, Judith Tarr and Kate Elliott, Anne Gay, Storm Constantine, Sherwood Smith, Rumer Godden, Juliet McKenna, Barabar Michaels, Elizabeth Goudge, Liz WIlliams, Dion Fortune, Sheila Gilluly, R A McAvoy, Barbara Hambly, Leah Bobet, Sarah Monette, Justina Robson, Amanda Downum, Claudia J Edwards, Sharan Newman, Freda Warrington, Stephanie Saulter, Lisanne Norman, Jaine Fenn... I could go on and one and on. Some of those writers are long-established, some are out of print and out of contract, some are new, some are dead. But they are all great.
And me? Later today I'll be blogging here and on my website about a woman whose books were a lightning bolt to my writing world, Nancy Springer.
PS: another interesting piece on the gender imbalance in reviews here
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i'm grateful too, to the women who write awesome sff (whatever sub-genre) and to the libraries i use/d for stocking their books!
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Thanks for starting this
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And thank *you*
Btw, might I phone you this evening?
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Women seem better represented and better acknowledged in fantasy, maybe?
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Sadly, the exclusion crosses both sf and fantasy -- women get less promotion, fewer reviews and far less attention.
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Gwyneth Jones
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#Womentoread
Re: #Womentoread
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So far as Jo Walton's Among Others and Cat Valente's Deathless (and for that matter The Girl Who Circumnavigated Fairyland...) are concerned, the reasoning would presumably by that, while they are fantasy, they are not epic fantasy. But even so...
Though, while I doubt that I'm going to have time to do any significant blogging in the next few days, if I do write about anyone, it's likely to be about an author most of whose works never received British publication - Paula Volsky (now, I believe, writing as Paula Brandon).
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And the idea is international, so Paula Volsky is a fine candidate.
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I've heard over and over that they'll only spend on male writers because "men don't buy books by women". That women buy books seems irrelevant to some marketing people, or so it seems. And certain many men DO buy books by women.
So if they don't promote a woman's books, and if those books therefore don't sell as well as a man's books that they do promote, the marketers then take that as a sign they were right all along to not "waste money" on promoting women. The circle is very vicious indeed.
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Your books belonged on that table, d*mn it. All the best epic fantasy writers I'm aware of are women and not one of them were there. Plus there's the whole issue of things men get credit for -- complex interpersonal relationships in fiction, political depth, real consequences -- which women also do (and in some cases, as with Mieville and Mary Gentle, did first) but are ignored or forgotten or even upbraided for it.
Bah.
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Diana Wynne Jones
Nora Jemisin
Lois McMaster Bujold
Karen Mahoney
A.C. Crispin
Juliette Marilier
Jacqueline Carey
Tamora Pierce
Michelle West Sagara
Janny Wurts
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Karen Traviss
Lisa Shearin
N.M.Browne
Patricia Briggs
Patricia Wrede
Linnea Sinclair
Rachel Caine
Holly Black
Anne Aguirre
Diana Pharaoh Francis
Sally Prue
Naomi Novik
Genevieve Valentine
Barbara Hambly
Una McCormac
Rae Carson
Elizabeth E Wein
Cassandra Clare
Cassandra Rose Clarke
And did anyone mention Jaine Fenn, Freda Warrington and Sherwood Smith already?
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And yes, those are some fine writers.
Jaine, Freda and Sherwood have all been mentioned several times.
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I love Zenna Henderson. A really innovative writer who does not get the recognition she deserves.
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I don't have a twitter feed but I did write up a blog post about this, with a recommendation list of female sff authors that I have enjoyed. I also included some perspective from my time as a bookseller.
My post:
http://cognitiveperegrination.blogspot.com/2013/04/female-authors-in-sff.html
I hope it's useful.
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Tove Jansson [and no cries of "kids' stuff!!")
Robin Hobb
Liz Williams
Tanith Lee
C J Cheryh (love the Morgaine's Gate saga)
Anne McCaffrey (I told her I want to come back as Killashandra Ree!)
Jane Yolen
Gillian Horvath [Highlander)
ETA Jane Espenson (Firefly, Dollhouse, Husbands, Once Upon a Time and Warehouse 13!!!)
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And I shall henceforth imagine Killashandra as you :-)
Those are all fine writers.
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#women to read
Re: #women to read
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A new writer came up to me and asked me about women's writing, and looked over at the dance floor (it was during the masquerade) and said "All of them, over there, dancing wildly." It was a sobering moment though, for, despite the prominence of women right now in Australia's spec fic, he had to ask.
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On the other hand, that young writer.... He was expecting men, I guess, and that is saddening -- the default of 'male' is still there.
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